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ARCHIVES S<D>S/02 SERIES
4
Dance- and Videoproduction / Solo 2002-2004
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| Choreography / Directing / Concept |
Helene Weinzierl |
| Dance / Choreography |
Giordana Pascucci |
| Lightdesign and Technic |
Albert Haderer |
| Music and Composition |
Kynos Kutis |
| Video / Photos |
Peter Huber |
| Videocut |
Petra Hinterberger |
| Dance notation |
Bernadette Hartmann |
| Length |
15 Minuten |
| Premiere |
July 12th, 2002 Elisabethbühne
Salzburg, assigned by Dance Archive of the University of Salzburg |
| Performed |
Performancetage tanzimpulse Salzburg,
Kosmos Wien (tanzpool), St. Petersburg, IG Theaterbörse
Salzburg republic, Feldkircher Tanztage 2003 Intern. Womenstheatrefestival
in Tornio/Finnland, Intern. Festival for Contemp.Dance Las Palma/GC,
Bratislava in Movement, ke-Theater Klagenfurt, Modern Dance
Festival in Kaunas |
| Co - producer |
Tanzarchiv Derra de Moroda der Universität
Salzburg |
| subsidised by |
BK Kunst, Salzburg Stadt und Land,
AK Salzburg, BMaA |
„archives” is a teamwork of Helene Weinzierl
and Giordana Pascucci and formased as a cooperation with the dance
archives Derra de Moroda of the University in Salzburg. The dance
material of the Soloist Giordana Pascucci is documented “step
by step” by dance notation shown with video projection.
The artist on stage creating snapshots, emotions; to evoke pictures,
which should be or can be recorded by the audience. For this we
have used archives material of the company that we had recorded
before.
On the other hand we want to lead the audience to a further aspect
of archives and recording which is important to us: to the necessary
yet relative standstill, to the closing of a process, to the concretising
of a fact.
The decision - consciously or by chance - to keep or use this information,
was our decision. With this I wish to emphasize that in connection
with the act of recording decisions and power play a decisive roll.
In detail this means that the archive material we have used will eventually
be recorded by the audience. This largely means that history will
be recorded in this way.
text for the programme
Covered in dust the archive ties up bundles of long forgotten topicality,
sorts out chronologically, according to contents or randomly, creating
hereby the hierarchy of being able to forget and finally filters out
what should be written to history. With the last movement, the last
sigh, the last act, the final thoughts begins the fight for hierarchy
in the chronology of forgetting. Jose Saramago
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